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SATA testimonials...
What people have had to say about their experience of 'Singing and the Actor':
"My favourite book
on singing technique is Singing and the Actor by Gillyanne Kayes.
This is a thorough and knowledgeable work which teaches how to
produce a free and healthy singing voice in various styles from
Broadway Belt to Opera with Pop and Rock in between."
Jeannette Nelson Head of Voice at the National Theatre in London
"I witnessed dramatic, no pun intended, results in these actors,
true breakthrough moments. When the singing techniques were put into
practice, the vocal quality shifted before our eyes and ears. Our
singing actors were hungry for this specialized knowledge in
training the musical theatre voice. The other faculty present were
very impressed by both Ms. Kayes knowledge and effective
communication that led to these productive workshops and results."
Lisa Wilson President Voice and Speech Trainers Association and
Professor of Theatre, University of Tulsa
"I've read many many books on singing...what's right, what's wrong
etc etc etc. I tried the exercises. Some worked, some seemed a
complete waste of time and others were so scary that I immediately
discarded even the thought of trying anything similar on a student!
But mainly, what I was reading was masses of instructor ego and
little concern about the performer and his problems.
Lady, you are great. After the introduction I was sure that this was
a "first". Someone who had "been there" and was truly concerned
about the knowledge, abilities, secureness and health of the
singer/performer!"
Jack Popell, teacher, Performing Arts Studios, Vienna
Other reviews of 'Singing and the Actor' on this website
by David Carey (BVA)
by John Staniunas (VASTA)
by Barb Jungr (Singer)
by Melissa Johnson (Theater
Topics)
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